James Manning, TS Eliot wrote that April is the cruellest month. Slick, soulful, sexy, bouncing and peppered with bleeps and bloops, ‘Hideaway’ was exactly what a ton of amateur deep house producers tried to do in 2014 (and 2015-16, in fact) and failed miserably at. Absolutely every single part of this song is an earworm: the synths, the abstract lyrics and chorus, the bassline, the bass solo, the horns, everything.
And because he’s Prince, he did it subtly – not all gauche like Robbie Williams and his 'Millennium'. Small wonder it became a gay pride anthem. People literally freeze, wait for a beat and go bananas. You can probably have too much of those.
‘Dancing in the Dark’ is also one of the Boss’s sexiest moments. The jewel in a-Ha’s crown, of course, is the dazzling debut single ‘Take on Me’. Plus, the shop splits into teams for an epic build-off.
The amount of songs on the chart will vary from day-to-day. Josh Jones. After a couple of verses it becomes almost impossible for any listener not to indulge in at least a little shaking of one’s booty. Mountain man Mark tackles a week-long run to hit a lucrative order.
The mix of expert storytelling and Johnny Marr’s jumped-up riff means that by the first whelp you can fully embody both the most fragile and egotistic person in the room. DL, This song has always struck me as a perfect account of how it feels to be in love in a city – in this case London. That’s not water - that is 'Everywhere', which has saturated every single DJ set at every single festival in the entire world. Superstition ain’t the way, people – Stevie said so. Glenn 'Yogi' Kendall leads a convoy of trucks to deliver desperately needed hay to drought ravaged farms. All Rights Reserved.
It’s about drama as much as protest. This ‘80s-inspired power-funk track from Mark Ronson and Bruno Mars broke records, won awards and got the entire world strutting and finger-clicking in unison.
We’ve picked ten of our favourites, and put together a playlistso you can enjoy them too. 3 Bruce Springsteen, ‘Streets Of Philadelphia’ This song should be listed, like an old building. ‘Beat It’, however, is a bit harder and rawer, mainly due to one Eddie Van Halen riffing and fretboard-wailing his way through it. In deft strokes, he depicts two of Baltimore’s victims, who “hide their eyes ‘cause the city’s dying and they don’t know why,” and the narrator’s fed-up family, packing their bags for the country. Josh Jones, Here we hear what the absolute power of hitting a piano key six times can wield. James Manning, ‘Some of those that work forces, are the same that burn crosses.’ Whoa – is it really the case that a protest song about clandestine racism is one of the 100 best ever party songs?
Thank. Serious moonlight. It’s a marvellous sound.” DS, In this ebullient 1996 song, originally recorded by Vancouver band Cub, we see New York through the eyes of a young man anticipating a rendezvous with his girlfriend: so magical and transformative that it enables you to be your ideal self.
It’s a testament to the sheer infectiousness of the biggest hit from Kanye’s ‘Late Registration’ that this funny, whip-smart and completely unromantic song was a staple at wedding receptions in the mid-noughties. It’s hard to disentwine the singer from the song: though Chicago was 30 years old when Sinatra recorded it, his is the version everyone knows, and it endowed the city with an indelible rakishness. Still, ‘Here Comes the Hotstepper’ has its own laid-back, deliciously funked-up vibe, thanks to an obscenely fat bassline – not to mention the lyrics ‘Extra-ordinary/Juice like a strawberry’. Absolutely every single part of this song is an earworm: the synths, the abstract lyrics and chorus, the bassline, the bass solo, the horns, everything.
While the lyrics tell of a kind of desperation – tears and mistakes, selling clothes and sleeping in vans – the music carries a towering, skyscrapered gleam, all the cacophony of a city, of a mass of people, a hive of activity, and the sense of liberation that can bring. Tristan Parker, Just about every Sean Paul hit follows the same formula: a spare, repetitive riddim collides with that inimitable monotone, which always seems far too chill to concern itself with reaching for any tricky notes. The US government denies the existence of extra-terrestrial life.
Over nearly 10 minutes Morrison conjures his nostalgia for the city where he was raised, winding around us, until it becomes that great untangleable knot of affection: “the love that loves to love.” LB, You could argue that the majority of Elbow’s output has been an extended paen to the grey skies and red bricked walkways of Manchester, but it’s their 2009 single –which details the emotions triggered by a train pulling into the station after spending months on tour – that truly captures the dulcet, northern romance of the city.
Nope, no one does, because it was terrible and it tanked. It also boasts a killer, kinky bass riff that refuses to be ignored; one artist who simply couldn’t ignore it, in fact, was a Mr Hammer – initials MC – who based a good chunk of a certain untouchable hit on said bass riff. It’s a song they’ll sing at great volume while standing in a circle, drinks held aloft. When a song has a light green background, on the … When Dr Dre is instructed by Teddy Riley to 'drop the verse' over the Bill Withers’ sample, it’s absolutely iconic. The omnisexual twirls and splits Prince busts in the official video for this sleek 1986 jam might convert the most hardened disbeliever, but honestly, he had us at the tingly guitar licks, the tighter-than-a-duck’s-arse beat and the instantly memorable chorus: ‘You don’t have to be rich to be my girl/You don’t have to be cool to rule my world.’ You don’t believe him, of course – but you want to.
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The young inner-city mother, her boozy husband and their tearaway son are lovingly rendered, as is the vein of Scouse optimism running through it. This is one of the most forward-looking, cash-making enterprises in music history.
‘1 Thing’ also made our list of the best one-hit wonders. She sings it and everyone else shrieks it in homage to one of the great vocals of all time. That it is in truth a small-town tale of crime, bad debts, a bus out of town and trouble on their tail only increases the sense of desperation. To help you make sure your party goes off like a frog in a sock, we've put together this list of surefire floor-fillers featuring a generous smattering of '90s songs, house songs and R&B songs. The video for this features a bloke aimlessly wandering around on the Northern Line as well, which, as we all know, is usually what happens at the beginning and end of every great party.
‘I Wanna Dance With Somebody’ also made our list of the best ’80s songs.
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